For those who wish to decode the Names of Love, there's a sharp commentary on French prejudices, character types, history, and culture embedded in Michel Leclerc's droll autobiographical French comedy. But the surface story works just fine too: A free-spirited, left-wing, seductive young Frenchwoman, daughter of an Algerian immigrant, meets an uptight, square, middle-aged Frenchman whose Jewish mother survived the Holocaust. Opposites ignite, emphasized by Leclerc's playful use of contradictions, including deadpan performances juxtaposed with glam cinematography. - Lisa Schwarzbaum, Entertainment Weekly.