Abbas Kiarostami has spent his incomparable movie career exploring the tiny spaces that separate illusion from reality and the simulated from the authentic. At first blush, his extraordinary, sly LIKE SOMEONE IN LOVE, which finds the Iranian director in Tokyo, may appear to be among his most straightforward films. Yet with this simple story of the growing bond between a young part-time call girl and a grandfatherly client, Kiarostami has constructed an enigmatic but crystalline investigation of affection and desire as complex as his masterful Close-up and Certified Copy in it's engagement with the workings of the mercurial human heart.