Soprano Elsa Dreisig follows her debut album Miroir(s) with a recital of songs in collaboration with pianist Jonathan Ware. Taking it's title, Morgen, from one of Richard Strauss's best-loved lieder, it interweaves his music (notably the Four Last Songs) with thematically linked works by Sergey Rachmaninov and Henri Duparc. As Elsa Dreisig says, "Morgen is an inner journey through the seasons of the soul."
2 Vier Letzte Lieder, Op. 150, TRV 296: I. Frühling
3 6 Romances, Op. 38: III. Daisies
4 Malven, TRV 297
5 Phidylé
6 6 Romances, Op. 38: IV. Pied Piper
7 Vier Letzte Lieder, Op. 150, TRV 296: II. September
8 6 Romances, Op. 38: I. Night in My Garden
9 Sérénade Florentine
10 Aux Étoiles
11 Chanson Triste
12 Extase
13 Vier Letzte Lieder, Op. 150, TRV 296: III. Beim Schlafengehen
14 6 Romances, Op. 38: II. to Her
15 6 Romances, Op. 38: V. Dream
16 6 Romances, Op. 38: VI. A-U!
17 La Vie Antérieure
18 Vier Letzte Lieder, Op. 150, TRV 296: IV. Im Abendrot
19 4 Lieder, Op. 27, TRV 170: IV. Morgen
Soprano Elsa Dreisig follows her debut album Miroir(s) with a recital of songs in collaboration with pianist Jonathan Ware. Taking it's title, Morgen, from one of Richard Strauss's best-loved lieder, it interweaves his music (notably the Four Last Songs) with thematically linked works by Sergey Rachmaninov and Henri Duparc. As Elsa Dreisig says, "Morgen is an inner journey through the seasons of the soul."
